Bread Givers

I bought this book for my Jewish Lit class, and it quickly became my new favorite book! Maybe a week after I read it, my boyfriend was looking for something to read and I loaned him this book and now it is his favorite as well. We both love how human the book is. It is crafted with real emotions, and such genuine family dynamics. Each and every one of the characters became like a member of my own family to me. I am sure to revisit this book many, many times. I would recommend this book to everyone who enjoys reading.

for being such a tyrant, for spoiling his daughters' wedding plans, and for RUINING their lives -- and believe me-- that kind of stuff REALLY went on in those days! And I wanted to shake some sense into her mother for PUTTING UP WITH THIS!!! Sara Smolinsky's life most probably parallels Anzia's real life. And if that is true, then I have the UTMOST respect for Sara/Anzia who against all odds, and especially as a woman back in the 1920's, found a place for herself and worked VERY hard to get that education and respect and "the good life" that all the middle-class American kids took for granted. Someone reading this book today -- who has not read any books on the Immigrant experience or who has not become aquainted with Immigrant life in America in the early 20th Century -- wouldn't have a CLUE as to what it was really like back then, and to them this book would perhaps only serve to confuse or bore (!) them. Hopefully this book will not only shake readers out of their complacency, but it will encourage them to read other books about the Immigrant experience, such as "call it Sleep" by Roth. The Bread-Givers is a great book.

I would highly recommend this book to anyone who is interested in America. Told at a time when America was more innocent yet the dark clouds, the roots of todays hegenomy, were gathering. Bread Givers is a largely autobiographical story of one woman's struggle to make a life for herself despite a time and place that conspire against her. Like the author Anzia Yezierska, Sara Smolinsky, the daughter of poor Russian-Jewish immigrants fights against the tyranny of her father, a rabbi, and his old-world beliefs in order to become a self-reliant person. In a broader sense, she also struggles against the social norms of the early twentieth century. Her journey is full of hardship and surprises, not the least of which is that...not to give it away. Sara is a character which is so full of life and vitality she seems to leep from the page. I wonder if Sara is a proto-type to characters seen in later fiction, espcially science-fiction of the early sixties.

It is difficult to read BREAD GIVERS by Anzia Yezierska and not feel the same barrage of competing emotions that afflict nearly everyone in the book. On a literal level, Yezierska writes of the struggle of Russian/Polish Jews to assimilate in the New York just before the First World War. The action is narrated over a period of some dozen years by Sara Smolinsky, who begins the novel as a ten year old girl, one of three other sisters. We see the action filtered through her eyes, so there is the natural reaction to perceive events as she does. But what she sees is so emotionally shattering that the reader soon learns to substitute his own experiences as that filter. Sara and her family live in New York but their world view is heavily shaped by their origins in the Old World of eastern Europe. In that society, the male head of the household is the master. Not only does he dare claim that women have no place in running a household, but he also can point to the Torah as justification. Sara's father, the Reb Smolinsky, is drawn in such a nasty, vindictive way that he all but emerges as a one dimensional caricature of all that can go wrong when one hides behind saintly words as an excuse to bully others. The Reb refuses to work for money; he expects his family to do that, leaving him time to study the Torah. He routinely squashes flat his daughters' confidence by insulting them daily. He arranges disastrous marriages for them, and when these marriages go predictably bad, he avoids responsibility by telling them, 'As you make your bed, so must you sleep in it.' But because he appears in every chapter, he, rather than Sara, becomes the center of dramatic focus. He is so vile and hateful that the reader even begins to question the source of the Reb's tirades: the Torah itself. Long before the final chapter, the reader begins to see the inevitable results of what happens when a weak-minded individual takes words and ideas which are intrinsically noble and bastardizes them into something monstrous. There is no evil that is beyond the Reb's ability to twist from a more benign source as the Torah. Sara's other sisters suffer long years of acquiescence, slowly building a fund of bitter gall that simply awaits the opportunity for a well-deserved revenge. For the longest time so does Sara, but what happens to her is the rarest miracle of all. Sara tries against stupendous odds to come to grips with the ages old paradox: should one return good for evil? It would have been so easy for her to take the route of her sisters, to return hate for hate. Sara is the only one in a book full of hurt people inflicting verbal pain on others who even tries to peek behind that curtain of verbal weapons that masks a festering sore of decades. She is a towering figure of strength and discipline that lingers in the mind long after the pathetic sadism of a reb finally begins to wear out its welcome in the lives of civilized people. BREAD GIVERS serves to remind the reader that words

Even though this book is probably set anywhere from the late 1890's to early 1920's--as the book was first published in 1925--as a woman it is hard not to be totally offended by Reb. Smolinsky's attitudes towards women. He says: "A woman without a man is less than nothing. A woman without a man can never enter Heaven." As a Christian, I obviously find this belief to be totally untrue, but it is the statement that a woman is nothing without a man that just makes me wish that Reb. Smolinsky was standing in front of me so I could strangle him.Even though I hated the father more than words can say, I still gave this book five stars because it is so unbelievably inspiring. Sara Smolinsky does not allow her father to completely dominate her. She does not allow him to marry her off to a man that she does not love--like he did her three older sisters. She leaves home around the age of seventeen and works in a laundry store all day and takes night classes at night for years so that she can go to college. She has to make so many sacrifices along the way, but she never gives up on her dream of graduating from college and becoming a teacher. The fact that she was able to work her way out of poverty, get an education, and obtain her dream of becoming a teacher was just so inspirational.I read this book for a literature class on American Immigrants, and I am so thankful that teacher assigned the book because I got a lot out of it. Watching Sara's transformation in this book from an uneducated and emotionally uncontrolled woman into a cool and controlled professional who could succeed in America, in a way her father never could, was a kind of growing experience for me, as well.Also, as I neared the end of the book, I kind of began to see the father in a different light. Yes he was a horrible tyrant to the women in his family, but he was also like a fish out of water flopping around helplessly. He had been uprooted from his home in Poland and replanted in America where nothing was like it was for him back in the Old World. Therefore, there are times when Reb. Smolinsky really comes off as this just completely pathetic character, and I almost would have felt sorry for him if he had not put all the blame for his failures on his wife and daughters--and made their lives even more miserable because of his failures.

Some 75 years after its initial publication, Anzia Yezierska's Bread Givers surely deserves recognition as a classic of Amerian literature. I regret not having read this moving and provocative novel earlier in my life; I know its themes of self-discovery, conflicted Jewish identity and Americanization would have encouaged both identification and introspection. I am astonished that high schools today do not include this as an essential core text (instead opting to use F. Scott Fitzgerald's Great Gatsby, also published in 1925 as a paradigmatic novel). Yezierska's novel has the ring of truth to it, resonating with such crucial themes as self-awareness, cultural marginalization of immigrants, loss and recovery of ethnic identity, feminist discontent and awakening sexuality. In my mind, Sara Smolinsky has far more to teach us about the American Dream than Jay Gatsby. Yet, the prevailing literary criticism lionizes the WASP world-view of Fitzgerald and essentially disregards the Jewish/immigrant sensibilities of Yezierska.The novel is uncommonly accessible. Dialogue carries much of the action; the chapters could be read as independent short stories, and internal soliloquies provide us with the opportunity to test our own judgments against those of the earnest and self-actualizing Sara Smolinsky. The suffocating but omniscient presence of her tyrannical father best represents Sara's constant confrontation with conflict. The dilemmas provided by the father-daughter relationship ring with universal truths even though the setting is particular to the Hester Street Easter European Jewish experience. I know that my Latino, Asian, and Pacific Islander students could easily translate this novel, some three generations old, into their own experiences.The Persea Books edition owes its existence to the admirable efforts of Professor Alice Kessler-Harris, whose exceptional introductory forewards are worth the price of the edition alone. Professor Kessler-Harris sheds light not only on Yezierska's tumultuous life but provides a scholarly discussion of the significance of the novel.